Today on the blog we are continuing the theme from yesterday - designing character concepts for your story project. Now, I mostly focus on comics and graphic novels but I daresay the same tools and techniques can apply to things like animation and video games, too! Give this exercise a try.

The concept art stage of any long-form story project (animation, graphic novel, Webtoon, etc) is especially important. This is the planning stage where you decide on the visual look of your work, the physical appearance of your vehicle through the story and the world they live in. Here are three examples of great character concept art from the pros and what you can learn from them.

Scripting for comics can be a bit challenging. Unlike scripts for other media (like films, plays, or animation), movement through the scene can not be implied throughout the page. You have to break down each instant that’s captured within the panels, like snapshots, and be careful not to overload them. Here are five tips to keep in mind that will help you have successful scripts.

Writing an outline is an important step in making comics and graphic novels. It ensures you have all the details of the plot arcs and character arcs sorted out. And it ensures you have a compelling story told how you want it to be! It is important to ensure you have all the elements of good storytelling. Here are five steps you should follow to make sure your outline is perfectly crafted and ready to go.

In my post on Essential Skills for Making Comics, I mentioned that teaching graphic novel courses is one of my favourite things to do. Graphic novels and comics are challenging mediums to tackle because they exist at the intersection of many different skills! If you want to start making comics, this breakdown of all the steps you need to consider might be a good place to start.

One of my favourite parts of being an art student was being surrounded by fellow creatives every day I was on campus. Classmates, technicians, instructors - we were all creative people doing creative things. I miss the ease with which that creative community came together, but it’s not impossible to make your OWN creative community! Here are three reasons it may be a good idea to try.

My favourite class to teach is The Graphic Novel. Often, my students are brand new to the craft. Maybe they are a writer, an illustrator, often both! But combining those skills into a graphic novel is a whole new beast. You can expect many more posts about the skills for graphic novels coming up on the blog, including advice from beginner to advanced, but to start off, here are five essential skills you need to make a graphic novel.

If you are new to using Procreate as a digital illustration tool for creating characters, this step-by-step guide will walk you through an easy process. I use this process for each of my characters, and I design hundreds of them! And each step uses ONLY default Procreate tools and features, so no fancy brushes or extra software is required!

I’m primarily a digital illustrator these days, but that wasn’t always the case. My iPad changed everything because I could finally make the kind of art everywhere I went that suited the style idea I had in my head for comics. Still, I love using traditional tools, like markers, pencil crayons, watercolour and gouache, when I want to get messy. But which is better, digital or traditional illustration? Let’s bust some myths!

Gesture drawing involves dynamic, short poses by the model when the artist focuses on capturing the essence of the movement and shapes more than an accurate figure. You may find yourself ready to try new methods, practice new skills, explore new challenges, or mix things up. These three gesture drawing methods will keep the excitement in your practice!

I first learned about the elements of art in my incredible high school art class. It’s never too late to learn these basic skills. You probably already think about and apply them intuitively, but giving names to the skills you use can really help accelerate them. Here’s an introduction to the seven key elements of art-making.